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LATEST RELEASE Eclectic Projects 006

Eclectic Projects 006 features more original fiction and non-fiction from Aurealis and Ditmar-award-winning author Peter M. Ball. Features four original stories, two original articles, and one ongoing serial. 

The front cover of Eclectic Projects 005, depicting a staircase winding up through a hellish underworld.

About Peter M. Ball

PETER M. BALL is an author, publisher, and RPG gamer whose love of speculative fiction emerged after exposure to The HobbitStar Wars, David Lynch’s Dune, and far too many games of Dungeons and Dragons before the age of 7. He’s spent the bulk of his life working as a creative writing tutor, with brief stints as a performance poet, gaming convention organiser, online content developer, non-profit arts manager, and d20 RPG publisher.

Peter’s three biggest passions are fiction, gaming, and honing the way aspiring writers think about the business and craft of writing, which led to a five-year period working for Queensland Writers Centre as manager of the Australian Writers Marketplace and convenor of the GenreCon writing conference. He is now pursuing a PhD in Writing at the University of Queensland, exploring the poetics of series fiction and their response to emerging publishing technologies.

He’s the author of the Miriam Aster series and the Keith Murphy Urban Fantasy Thrillers, three short story collections, and more stories, articles, poems, and RPG material than he’d care to count. He’s the brain-in-charge at Brain Jar Press, and resides in Brisbane, Australia, with his spouse and a very affectionate cat.

THE LATEST FROM THE BLOG

RECENT ESSAYS AND POSTS FROM THE ECLECTIC PROJECTS BLOG

Notebook Mojo

Last week, I ran a bunch of writing workshops for Villanova College here in Brisbane. Four workshops spread over three days, focused on writing a

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WRITING ADVICE

Over the years I’ve published a bunch of posts and essays designed to help aspiring writers. Here’s a selection you might find interesting:

Who Gets To Monetise Your Spare Minutes of Attention?

I’m writing the first half this post on campus at UQ. It’s approximately 7:03 in the morning, and the cleaner is working their way through the offices. I’m here early because I teach a class at 8:00 AM, because it’s the first week and I still don’t know exactly how to find the room, and because I like to get on campus an hour early for classes. That’s my buffer, should there be traffic problems or train delays, and on the days when there are no such problems, it leaves me with approximately 47 minutes of time to fill once I arrive. Occasionally I have a plan for this time: going to the library, for example. Catching up with friends before class. Today — and for most of the coming semester — my plan is this: Do not give this time to Facebook or Twitter without a damn good reason. Instead, I’m making a conscious decisions about the way you’ll use the little slices of time to advance the writing projects that matter to me. # I often think of the period between 2005 and 2009 as my most productive years as a writer. Part of that is invariably hindsight

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Because PIL had it right

I’m slowly coming to terms with the fact that I am, essentially, a person that wavers between the frivolous and the downright irate (and even the source of my irritation is essentially frivolous, when you get right down to it). I realise this because a week ago I made the decision to stop being lazy, and part of this was making a list of all those things that I keep meaning to blog about without ever getting around too it. It’s a big list, too – over the last couple of years I’ve had a lot of ideas pass through that have captured my imagination and had me thinking “hell, yeah, I really should say something about that.” The net result of this is a half-dozen files on my computer which contain the beginning, and even the middle of posts, but never really catch the feeling of being something I’d put up on the interwebs. So today I’m giving in and being frivolously ranty about two things that have annoyed me of late. I can do angry ranting; John Lydon had it right when he talked about anger and energy. Have at it: ****** Frothing Rant One: I Am Not

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Things I would do if I were planning on becoming an indie publisher…

The title of this post is actually a little disingenuous: I already self-published back in 2005, when I first started self-publishing ebooks for roleplaying games, and I kept at it until 2007 or so when, for various reasons related to edition wars and the level of misogyny among gamers, writing fiction started to look more appealing. The interesting thing about the RPG field is that it went through it’s teething problems with ebooks a little earlier than the rest of the world, which means I frequently find myself frustrated when I get involved in conversations about indie publishing ’cause there’s a certain level of been-there-done-that-made-all-the-stupid-mistakes-already. I’d been around epublishing for a while before that, though, so I’m naturally interested in the ebook/indie publisher explosion that’s happened over the last couple of years. It’s only gotten worse since I started working for a forward-thinking writers centre with an electronic publishing think-tank attached to it. It also means that common phrases like I’m going to experiment with ebooks drive me crazy, since most of these experiments revolve around things RPG ebooks did six or seven years back. So after a couple of frustrating conversations, I sat down and put some serious thought into what I’d do if I were planning

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Ambition and Creative Angst

Let’s not dance around this fact: there are works I have out there, in publishing land, that I am less proud of than others. No, I will not tell you which ones. No, I will not confirm your guesses. No, it’s probably not the work you’re thinking about. In public, you try not to denigrate your work. For one, it’s stupid to tell people, well this, it’s not my best, is it? For two, it’s stupid to tell someone who likes that work, well, you’re kind of a sucker for liking it, ain’t you? People like what they like. When they like your work, you shut your bloody mouth and say thank you, like a grateful person should when they’re getting paid to make bloody art. But still, those works exist. Occasionally, in the company of other writers and artists, you will venture so far as to mention your fear that what you’re doing right now is shit, or that what you’ve done in the past is shit. That everything is shit, and perhaps its time to go back to…shit, whatever it is you do when you’re not being a writer. If, indeed, you have such a thing (terrifyingly, I do not). Once you hit

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This End Not An End Point

This entry is part 3 of 3 in the series Scratchpad: Comic Books, Fiction, Publishing, Poetics

Scratchpad: Comic Books, Fiction, Publishing, PoeticsPoetics, Conventions, and Physical Objects No Ellipsis Publishing This End Not An End Point It’s May, 2009. Approximately four years after the release of A Feast of Crows, the fourth book in George R.R. Martin’s Song of Fire and Ice. Readers are getting antsy about Martin’s insistence on doing other things: editing books in his Wild Carda universe; writing stories that are not A Dance of Dragons; consulting on the HBO television series made from his work; writing blog posts all of the above, rather than working on the now overdue fifth volume which turns out to be two-and-a-half years away. A phrase rolls across the internet, a little viral moment shared by booklovers: George RR Martin is not your bitch. We know this, because Neil Gaiman told us so, responding to a fans question about what readers are owed when a series is plagued by delays and gaps the Martin’s series is. It’s still another two and a half years before A Dance of Dragons drops in June, 2011. The final two volumes are still forthcoming, nine years after the last release. Adaptations of the series have reached their conclusion, before the source material.

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When in Doubt, Maslow the Fuck Out of Your Creative Process

ONE: MASLOW THE FUCK OUT OF IT My friend Laura Goodin has a saying: Maslow the fuck out of it. Actually, that could be a lie. She has something similar to this, but I can’t remember if I’m inserting the profanity or the profanity was there when she deployed it in our most recent conversations.  If I’m wrong, the intent was definitely something close, and I will owe Laura a beer and an apology. Life would be much easier if I actually copied down the interesting things my friends said, exactly, on the basis that I will one day want to write a blog post around their adages. But for our purposes, lets go with this. Laura Goodin has this saying: Maslow the fuck out of it. Near as I can gather, the saying come from her years working with emergency services, where she would train new recruits in the best way to respond to a crisis. When in doubt, work your way up Maslow’s hierarchy of needs. Take care of the biological needs, then the safety needs, then the social needs. Much as those of us on the internet would disagree, providing a populace with food and a safe place to

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