Author: PeterMBall

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Status: 6 Mar 2023

We cleaned out the storage space chaos at the top of the wardrobe over the weekend and assembled an impressive list of rubbish, old clothes to be donated, and a graveyard of dead and unused modems to transport to a recycling centre. Among the detritus was a promotional postcard for 2009s Interfictions II anthology that’s been blue-tacked to the wall of multiple offices, but never found its way onto the walls of the current flat because there’s no actual office space. I loved this anthology series and the sponsoring org, the Interstitial Arts Foundation, which always seemed to be a place where I found interesting work that pushed boundaries. Both strike me as an artifact of a very different era, where conversations about art and digital publishing focused on what you could do with the new tools and distribution methods. These days, I feel like the voices focused on what you should do typically drown out everything else, and the

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Status: 4 Mar 2023

My beloved and I went out to the movies last night, having decided the opportunity to see Elizabeth Banks’ Cocaine Bear on the big screen was worth the stress of being out among large crowds of people. It was definitely our kind of movie, and delivered exactly what we’d hoped: a drugged out bear pulling people apart, enough subplot to keep the action meaningful, and the occasional over-the top moment. Cocaine Bear is a movie that knows exactly what it’s doing. It knows you’ve come in to cheer to the bear on, not care about any of the human characters. My primary fear going in was that it’d break the internal verisimilitude of the world in the name of ‘humour’ (aka the Sharknado 3 issue), but it was more restrained than I expected on that front (although my definition of restraint is not going to be shared by everyone). NEW WORK My latest short story, Or For Eternity Hold Your

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Status: 3 Mar 2023

Sent out my first newsletter since switching my provider away from Mailchimp, so it’s a bit of a nervewracking morning spent watching analytics and trying to figure out if I’ve made a terrible mistake. I’m pretty sure I haven’t, because Mailchimp was making it increasingly clear I wasn’t the kind of customer they were trying to keep. I’ve been meaning to pull the trigger on the switch for a while, but yesterday’s “go out and be an author in public” hangover pushed me onto my zombie mode task list for the first time in a long while. ON THE DOCKET No meetings today, which means today is 100% devoted to getting tomorrow’s story ready for Patreon. The current draft lives in two different notebooks, scribbled around the edges of other tasks this week, so today is spent figuring out what I’m trying to do and how to make it good. Time remaining will be spent getting two books ready to

Writing Advice - Craft & Process

Raymond Chandler’s Lists

One of my favourite pages from Raymond Chandler’s notebooks, where he plans out a list of similes and descriptions that will later find their way into books. There’s similar lists scattered through the notebooks where he describes outfits, makes a note of potential titles, or golden comebacks for his dialogue. Once used, he’d go back and make a note on each list, so he wouldn’t repeat it in a later story or book. It’s easy to forget that writing is a multi-stage process involving ideation, actually putting the raw components of plot on the page, then layering in details like voice and tone that make the work unique. Often, writers approach this as a single task, sitting down at the keyboard and hammering words until a scene feels right. Reading through Chandler’s notebooks and realising you didn’t have to do all three at the same time was a revelation for me as a young writer.

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Status: 2 Mar 2023

Putting on my editor hat for a moment: The latest release at Brain Jar Press is Matthew R. Davis’ Bites Eyes, a deliciously disturbing assemblage of thirteen flash fictions and short horror vignettes. Available now through the Brain Jar Press store or all good bookshops. Editing short story collections is one of my favourite things to do, and there’s a deceptive amount of depth you can bring to the process to the editor. Probably the most fun I’ve had designing a cover in the last year as well. ON THE DOCKET Thursdays are usually my meeting-free day each week, but today is all about seeing folks. I’m catching up with an old friend via Zoom in the morning and have a rescheduled mentee meeting in the afternoon. This is very much a notebook week on the writing front. I recently doubled down on bullet journaling as my default organisational system, and it’s working moderately well, and the natural next step

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Status: 1 Mar 2023

An off-hand comment from my beloved wife and a weekly vegetable box delivery has sent me down a rabbit hole of experimenting with my method of cooking roast potatoes, looking for techniques I can use to level up my roasties. Yesterday, I experimented with par-boiling the potatoes in slightly acidic water before roasting, then brushing them with a little melted butter to add some flavour as they roasted. The results were deliciously crisp potatoes with a fluffy core when eaten hot, but the texture of the leftovers was disappointing when eaten cold the following day. Leftovers are important to us, given the haphazard balance between deadlines and spoons that runs our household, so figuring out the perfect tater roast now has a dedicated project page in my bullet journal to track future experiments and their results. I did a long podcast taping with the PratChat folks last night – my first real “be a writer in public” thing in over

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Status: 28 Feb 2023

OUT TODAY: ECLECTIC PROJECTS 002 The second issue of Eclectic Projects is out today, featuring four original short stories, one serial entry, and one long essay about the worst job I’ve ever worked, digital publishing technology, and the evolution of publishing scams in the age of the internet. Available from all good bookstores, via a Patreon subscription, or right here on the Eclectic Projects store in ebook and print. STATE OF THE PETER What started as 400-odd fraudulent orders over on Brain Jar Press has now escalated to a flurry of 3,000+ attempts, which basically means my email is a hellscape of notifications and chat messages. Our payment provider is still doing their job—none of the fraudulent purchases have gone through and I’m spared the mass refunding that would follow if they did—but it’s still a time-consuming process to stay on top of things. Worse, today, because it’s release day for Matthew Davis’ Bites Eyes over on the Brain Jar

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Status: 27 Feb 2023

Extraordinary number of fraulent orders hit the Brain Jar Press store over the weekend, transforming our usual trickle of notifications into a mighty torrent as I was notified by payment failure after payment failure. On the plus side, our filters caught all the bogus orders as they were sent through and didn’t process them, which means I don’t have to spend my day refunding 400+ orders and talking to our payment provider about each one. On the downside, my email and the order system is a disaster zone that will need a few hours to clean up. Meanwhile, there are definite signs I need to reset my desk, especially given the number of books stacking up on the side table because I referenced them while working. NEW WORK This week’s Saturday Morning Story on Patreon was It’s Not A Job, a short tale about Chosen Ones, Monsters, and the Late Stage Capitalism that may also be a metaphor for art

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Status: 24 Feb 2023

Every Saturday, I post a new fantasy, science fiction, or horror story to Patreon. These are usually in ARC form—early iterations of the stories that will eventually find their way into the Eclectic Projects magazine series—although the changes between the Patreon version and the published version are minimal outside a few notable exceptions. I’ve just prepared this week’s story and set it up to go live at 10 AM tomorrow, Queensland Time. It won’t appear in the monthly magazine until October. You can join the Patreon and get the weekly stories for as little as a buck a month (my concession to the fact that everything is awful, and money is tight right now). I figure the first year of doing this is really just a test to see if I can do it. I don’t think of myself as a fast writer and I’d fallen into the bad habit of leaving things unfinished over the last decade, so I

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Status: 23 Feb 2023

There’s a work philosophy in Dan Charnas’ Work Clean which boils down to “slow down in order to speed up.” The mistakes you make by trying to get things done fast often end up costing you time in the long run, because things will end up needing to be redone or you’ll have to double-handle things somewhere along the way. It’s a good philosophy, and one that I’m thinking about a lot as I go back and fix the various mistakes of earlier this week, which include setting up print copies of a book using the wrong type of paper and needing to adjust all the cover layouts once we discovered the mistake. I’m also thinking about it with regard to rough drafts this week. February through March is typically the stretch of the year where my normal writing process stops working for a bit, since my ramshackle “make it up as I go along” approach tends to rely on

Gaming

The Dice Goblin Gains A New Dice Bag

My dad wore a tie to work almost every day of his adult life, and still had a vast collection when he passed away in 2019. My mum asked if I’d be interested in them, but a) I wear a tie for job interviews approximately once every three or four years, and b) I don’t have a lot of storage in my flat. Ergo, I took an old Phantom tie my father loved (for sentimental reasons) and passed on the rest. Rather than give the ties to goodwill, my mum partnered with a crafty friend to give the surplus new life. They transformed some into cushions, which my sister and I received as Christmas gifts, but there was still plenty of tie fabric left over. My sister elected to get another cushion, but I have about as much need for cushions as I have a need for neckties, so I passed on that as well. Instead, we had a quick

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Status: 22 Feb 2023

In March, I’m going to be a gust on the Pratchat: The Terry Pratchett Bookclub Podcast hosted by Ben McKenzie and Elizabeth Flux. Here’s some details from their recent announcement: For our March episode, we’re going where Pratchat has never gone before: into Pratchett’s nonfiction! Author, publisher and roleplayer Peter M. Ball joins us for a collection of Pratchett’s scribblings about genre, fandom and Neil Gaiman. The specific pieces are “Kevins”, “Wyrd Ideas”, “Let There Be Dragons” and “Notes From A Successful Fantasy Author”, plus “Neil Gaiman: Amazing Master Conjuror” and Neil’s foreword to the book in which all of these were collected, 2014’s A Slip of the Keyboard. You’ll find all of those (except the foreword) in the book’s first section, “A Scribbling Intruder”. Send us your questions about them via email to chat@pratchatpodcast.com, or on social media using the hashtag #Pratchat65. From the announcement for this month’s episode I have a lot of thoughts about this collection, and these entries in particular, as you might