Author: PeterMBall

Status

Status: 21 Feb 2023

My dad passed away in 2019. Today would have been his birthday. The stretch from Feb 21 to March 19, the anniversary of his death, is one of the rocky parts of my year. Started writing a new short story yesterday, tackling an idea I’ve wanted to write for nearly a decade now. ON THE TO DO LIST TODAY PETER M. BALL INBOX: 43 BRAIN JAR INBOX: 24 BRAIN JAR SUBMISSION QUEUE: 15 Expect minimal movement on all of these this week. CURRENTLY WATCHING: CARNIVAL ROW, SEASON TWO Four years after season one, Amazon Prime has brought back their steampunk fey noir series Carnival Row to finish the story. It’s pretty much certain we’re not getting a third season at this stage, which makes me furious because it’s one of the more ambitious fantasy works on screen in terms of world building. I didn’t expect to care about the show this much. The opening episodes of 2019’s first season weren’t

Status

Status: 20 Feb 2023

We’re one week out from the release of Matthew R. Davis Bites Eyes over at Brain Jar Press, ergo this week is going to be a little more promo focused than others. There’s a bunch of Brain Jar projects in the hopper at the moment, slowly advancing as I figure out how to balance the various tasks now I’m back in a more-or-less freelance state. Matthew’s book excites me because it’s one of our first releases with an author I didn’t know personally when their work appeared in the submission queue. ON THE TO DO LIST TODAY PETER M. BALL INBOX: 33 BRAIN JAR INBOX: 23 BRAIN JAR SUBMISSION QUEUE: 15 Very minimal movement on the email front this week, as I’m still trying to get back on top of things after being out for a week. Basically aiming to keep my head above water until I’ve cleared the backlog.

Status

Status: 19 Feb 2023

I didn’t feel sick for much of the last week, but my contact time with the keyboard dropped from 40+ hours a week to a little under 10. The week consisted of doing what needed to be done — getting my spouse to work, meeting with mentees who’d booked meetings — then collapsing in a heap and racking up an extra eight or nine hours of sleep. Odds are, I’d picked up some dread sleeping lurgy, although the RATs suggest it wasn’t the obvious culprit. Either way, I’m now behind on all the things and my Omnifocus list is screaming a daily alarm about balls dropped. NEW WORK The early reader version of the short story I’m Afraid Of The Big Bad Wolf went live over on Patreon yesterday. Final version will appear in an issue of Eclectic Projects in the second half of the year. It’s a story inspired by the Mark of Cain’s cover of Degenerate Boy, made

Status

11 Feb 2023

NEW WORK Three things I love in science fiction: giant robots, punk rock teens, and hostile colony planets. So it’s probably no surprise my SF novelette, ONE LAST SEASON, combines all three. Maya is a technically gifted kid on the ice planet Javal, the daughter of a punk afficionado and a passionate terraforming activist. When Maya’s dad pawns the one thing her dead mother left her—a battered Fender Stratocaster worth thousands of credits—Maya’s only hope of getting it back is winning first price in Javal’s racing mecha racing circuit. It should be easy: Maya’s built her own mech out of spare parts and rewritten code, and her best friend Alex is one of the hottest mecha pilots on the planet. Pity Alex’s kleptocratic family has their own ideas about the races, and their friendship will be tested when they race their own high-end mech in this year’s circuit. Maya and her mech Cee-Bee-Gee-Bee might be good enough to beat any

News & Upcoming Events

Saturday Morning Stories

Six months ago, I started posting a weekly short story to my Patreon account instead of throwing works in progress up there in a haphazard matter. Dubbed the Saturday Morning Story—a little something for folks to read over their morning coffee on the weekend—I figured it would have a shelf-life of a couple of weeks before I faltered and ran out of drafts. Twenty-six weeks later, I’m still going. The story for week twenty-seven is on my list of things to redraft over the next few days, and at this point, I’m determined to make a full year. Mostly, these stories go up as advanced drafts—they’re ultimately the stories that find their way into the Eclectic Projects magazine six months later, and there’s often a redraft and copyedit that takes place as part of that. Sometimes, those rewrites can be extensive—one of my early proto-posts, before I went weekly, went from an 800 vignette to a 4,000 word short story

Conspicuous Acts of Cultural Consumption

A Year of Reading: 2022

Goodreads, as is their tradition, have curated a list of all the books I read across 2022. The total number runs to 72 books, give or take a couple of titles that didn’t log properly, with another 10 books that I started across the year still “in progress” at the end. That’s a big of a slow year for me, but more than I thought, especially given I worked full-time for the first time ever through the bulk of 2022. The learning curve—and figuring how to use my time judiciously—proved to be a challenge. With that said, lets talk the highlights. 2022 was a year where the bulk of the new-to-me authors I picked up were romance-oriented, partially because Romance is my comfort reading and partially because Smart Bitches, Trashy Books and the Hot As F$ck Romance newsletter fed a continual supply of interesting reads my way. Big recommendations on this front are Penny Reid’s WINSTON BROTHERS books, Kris Ripper’s

Conspicuous Acts of Cultural Consumption

Reboot (Hulu/DisneyPlus)

I’ve been a fan of Steven Levitan’s TV shows for years without really being aware of it. I devoured episodes Just Shoot Me as a kid, went out of my way to watch Stark Raving Mad during its brief tenure, and slowly wended my way around to an appreciation of Modern Family after writing the sitcom juggernaut off for the better part of a decade. The same three traits unified his creations: incredibly smart casting, an interesting concept, and a thin seam of genre subversion running through a solid understanding of the core tropes. His most recent effort, Reboot, takes those traits and turns them up to eleven. The pitch is simple: an edgy young writer convinces Hulu to reboot an early 2000s family sitcom; as it comes together, we discover the original creator was her father, who walked out her mother and started a new family, then turned that new family into the core conceit of his hit sitcom.

Status

Ch-Ch-Changes: Status Update, 11 Nov 2022

It’s a season of change, in many ways. Two weeks ago, I lost my job, which began an immediate search for what comes next. Obviously, part of the answer is “writing” and “Brain Jar Press”, both of which got short shrift while I was dallying with full-time employment (for the first time) over the last twelve months. Neither writing nor publishing is enough to sustain us on its own, but it’s looking like I can assemble a Frankenstein’s Monster of a solution from various part-time and contract gigs that have come my way over the last few weeks. More recently, Elon Musk took over Twitter, which seems to have triggered a mass exodus of users and much thinking about what comes next. For all Twitter has been a pretty terrible place for the last few years, far less fun than it was in its heyday, it held traction as the one place where conversation spread in a way other social

Stuff

Oh No

I’m currently writing a short essay on TikTok and Instagram Reels for my Patreon, which has meant I’m playing around with both platforms. I’m over at @PeterMBall on both, having a bit of fun and talking about books/writing, but I did want to share one creation here because… well, cat. And it amuses me way too much. @petermball Its always hard to explain the economics of what you do to your pets. #writertok #writerscats #fantasyauthortok #publishersoftiktok ♬ Oh No – Kreepa Brain Jar Press announced a fantastic new short story collection by Tansy Rayner Roberts this week. If you’d like to keep our cat in kibble, you can pre-order now.

Works in Progress

Knock Knock: an interactive serial (Part 3)

This entry is part 3 of 3 in the series Knock Knock: A Sci-Fi Serial

This is part three of my occasional sci-fi serial about a science team dealing with an alien intruder on their romote research bate. After each installment, readers get a week to make a choice that will inform what happens next. You can read the first two installments on the series page. When last we left our intrepid heroes, one of them had snapped and elected to threaten the intruder with a gun. I asked the readers to vote on how things played out, and this is how things broke down. With 50% of the readership choosing the path of peace, we rejoin Captain Finn and the crew of Remote Research Station Denki as they try to calm things down. KNOCK KNOCK (A Serial With Reader Interaction) Part Three: Breaking Protocol Finn broke eight kinds of protocol and turned his back on the intruder. “Luce, I need you to put the gun down,” they said. “Tse’s hurting, but she’s in one

Adventures in Lifestyle Hacking

The 5-2 Focus List (A Useful To-Do List Alternative)

So here’s a neat variation on the to-do list I’ve picked up from Mark Foster’s Secrets of Productive People, where he replaces what I have to get done with what I’m going to focus on as the primary entries on your notepad. The 5-2 The process goes like this: Step One: Put five tasks you want to give your focus to on a sheet of paper. Works best with a mix of complex and simple tasks, but you do you, etc. Step Two: Work down the list in order. You don’t have to finish a task, just do something to progress it. Then: If you start a task and don’t finish it, cross the first entry off and add it to the bottom of your list.  If you finish a task, just cross it off. Step Three: Keep going through the tasks in order until you’ve whittled the list down to two, then add three new tasks to the end

Writing Advice - Business & the Writing Life

Indie Publishing and Business To Business Thinking

A general frustration I’m having with self-publishing/indy publishing circles right now Indies are, by and large, a business-to-business endeavour that primarily exist to provide ebooks to distributors and retailers who then sell them to the customer. Many of those distributors and retailers give an extraordinary level of control to the authors around pricing and promotion, convincing them they’re actually business-to-consumer. It’s become a foundational assumption in the rhetoric around indie publishing, even if it’s not true. So many people’s frustrations stem from this misunderstanding once they’re past the initial learning curve. The idea that you adjust some part of your product to make it appealing *to the business that actually sells it* is frequently met with all kids of denial, particularly when the suggestion involves increasing your prices beyond the just-barely-making-a-profit baseline. Indie authors have been trained to focus on the customer above all else, and have stuck to the strategy that undercutting traditional publishing’s prices is the only viable