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LATEST RELEASE Eclectic Projects 006

Eclectic Projects 006 features more original fiction and non-fiction from Aurealis and Ditmar-award-winning author Peter M. Ball. Features four original stories, two original articles, and one ongoing serial. 

The front cover of Eclectic Projects 005, depicting a staircase winding up through a hellish underworld.

About Peter M. Ball

PETER M. BALL is an author, publisher, and RPG gamer whose love of speculative fiction emerged after exposure to The HobbitStar Wars, David Lynch’s Dune, and far too many games of Dungeons and Dragons before the age of 7. He’s spent the bulk of his life working as a creative writing tutor, with brief stints as a performance poet, gaming convention organiser, online content developer, non-profit arts manager, and d20 RPG publisher.

Peter’s three biggest passions are fiction, gaming, and honing the way aspiring writers think about the business and craft of writing, which led to a five-year period working for Queensland Writers Centre as manager of the Australian Writers Marketplace and convenor of the GenreCon writing conference. He is now pursuing a PhD in Writing at the University of Queensland, exploring the poetics of series fiction and their response to emerging publishing technologies.

He’s the author of the Miriam Aster series and the Keith Murphy Urban Fantasy Thrillers, three short story collections, and more stories, articles, poems, and RPG material than he’d care to count. He’s the brain-in-charge at Brain Jar Press, and resides in Brisbane, Australia, with his spouse and a very affectionate cat.

THE LATEST FROM THE BLOG

RECENT ESSAYS AND POSTS FROM THE ECLECTIC PROJECTS BLOG

Notebook Mojo

Last week, I ran a bunch of writing workshops for Villanova College here in Brisbane. Four workshops spread over three days, focused on writing a

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WRITING ADVICE

Over the years I’ve published a bunch of posts and essays designed to help aspiring writers. Here’s a selection you might find interesting:

10 Thoughts On Shame and Writing

ONE I rocked up to Angela Slatter’s place for Write Club earlier today, went through the usual process of getting buzzed into her apartment block and climbing upstairs. When I finally reached the front door, Angela pointed out that I didn’t really sound like me when I talked into the intercom. “Huh,” I said. “It’s probably because I was cheerful.” TWO I spend a lot of time thinking about shame these days, particularly in the last few weeks. I ran out of money back in late June, for certain definitions of running out of money that triggered all sorts of bad instincts that built up during my three years of unemployment. This means I immediately went into the same coping mechanisms that got me through that period, counter-productive as they were: I cancelled social engagements; I hid from the world; I avoided any activity that could potentially draw attention my way, including writing (If you want to trace exactly when all this started, go back and look at the point where the novella diary stopped being posted). This is a pretty natural response to feeling shame. It’s an emotion that’s predicated on the desire to cover yourself, to turn away

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Fuck it, Let’s Talk About Profanity and Blogging

Every now and then I write something that gets linked to a whole bunch and a whole bunch of people hit the site for the first time. Most of them read, nod, and move on about their day. Some of them… Well, they object to the profanity. Some even go so far as to email me about it. I understand this, to a certain extent. I know a lot of people who object to profanity – my mother is definitely not a fan – but I’m a much bigger fan of using it for emphasis. More importantly, I’m a fan of using it here on the blog because all those shits, fucks, goddamns, and mother-fuckers do two very important things. SWEARING FILTERS THE AUDIENCE Less than 1% of the blog posts people respond to tend to be actually profanity, and even then it largely depends on your stance on words like goddamn and screwed. It’s not a lot by reasonable standards, but they stand out because certain words are less polite than others. That’s as it should be. That’s why I use them. Think of those words as a shark’s fin, cutting through the surf, warning you that danger is on

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KPIs and Writing Data

So I have KPIs at the day-job this year, a neat little grid of goals that serve as the line between “doing my job well” and “not quite meeting expectations.” This is something of a first for me – for most of my life I’ve done contract work or found my way into jobs that were…well, lets say insufficiently defined for the purposes of generating things like key performance indicators. I’ve spent most of my life listening to friends talk about their office jobs and KPIs were part of that arcane language that floated around, reminding me of how little my work-life resembled theirs. I used to envy that KPI talk. Lots of my friends weren’t fond of the meetings, or found them a waste of time, but for someone who is, at their core, a moderately competitive person, they mean something important. They mean the day-job can be won. There is a line to reach and once I have moved past it I can look back at what I have done and declare victory. I find this enormously comforting. Daunting, but comforting. And I find myself thinking back to a conversation I had on twitter late last year, after

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Let’s Talk About The Ways Money Fucks With The Writing Process

So here’s the thing about writing no-one tells you: the money is going to fuck with you and affect your creative process. O-ho, there, you may be thinking, foolish Peter, there is no money in writing, and I totally understand why you’re thinking that. You’ve been hammered with that message from day one, ever since you began stringing words together to generate meaning. People will gleefully inform you that writers don’t make a living, and even those who skip that step will imply it by asking the kind of questions that make it clear your options are: a) become JK Rowling and have books in every store every time they walk in, or b) die in a gutter. And that’s where the fucking with your process begins, because you do not want to die in the gutter. Which means your process is shaped by the perception that making a living as a writer is either a one-in-a-million chance where your craft matters not at all, or by the perception that the only way to make a living as a writer involves constantly delivering at the top of your game because only the very best of the best get to make

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In Search of a Deliberate Error

Still waiting on the laptop to come back from repairs, which means my internet access is largely dependent on an old desktop and the wifi hotspot on my phone. It’s been ten days, which means we’re heading into the outer limits of the time I was quoted. Were I the kind of guy who believed such quotes, I would estimate that I’m back online (and blogging regularly) towards the middle of next week. Because I know my history with computers, I figure it will be me and the phone for another week or two. at the very least. Still, one of the advantages of being laptop free is that I’m catching up on a whole bunch of reading. I spend a lot more time with a tablet while the computer is out of commission, which means it’s relatively easy to slip into the Kindle app and catch up on some of the ebooks I accumulate for travel reading. This week’s reading is Decisive by Chip and Dan Heath – a kind of self-help-by-way-of-popular-science book that looks at the psychology of decision making and how to do it better. I kinda wish I’d read it two or three years ago, since a lot

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Let’s Be Clear, There Is Privilege Behind My Process

It’s early. My eyes hurt. I have to go to the day-job today, when all I really want is to stay home and tinker with the opening scenes of the novel in progress. Maybe write the ending to one of the hundreds of unfinished short-stories on my hard-drive, that are waiting for me to figure out the endings. In short, welcome to cranky town. Population: me. I have it pretty good. There is a trend, among writers, to ignore the essential privilege of how they do what they do and how they came to do what they do as a semi-regular thing. This frequently means that readers will do the same, since they’re only seeing the process from the outside and filtering it through public statements. And since most writers are also readers, we can get some bat-shit crazy assumptions about the job. Case in point: a writer I know recently posted about his yearly word-count on Facebook. When someone pointed out it was rather a lot, my name came up as a comparison point on account of the fact that I wrote rather a lot myself this year. And yes, it was a joke, but I found myself sitting there thinking no,

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