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LATEST RELEASE Eclectic Projects 006

Eclectic Projects 006 features more original fiction and non-fiction from Aurealis and Ditmar-award-winning author Peter M. Ball. Features four original stories, two original articles, and one ongoing serial. 

The front cover of Eclectic Projects 005, depicting a staircase winding up through a hellish underworld.

About Peter M. Ball

PETER M. BALL is an author, publisher, and RPG gamer whose love of speculative fiction emerged after exposure to The HobbitStar Wars, David Lynch’s Dune, and far too many games of Dungeons and Dragons before the age of 7. He’s spent the bulk of his life working as a creative writing tutor, with brief stints as a performance poet, gaming convention organiser, online content developer, non-profit arts manager, and d20 RPG publisher.

Peter’s three biggest passions are fiction, gaming, and honing the way aspiring writers think about the business and craft of writing, which led to a five-year period working for Queensland Writers Centre as manager of the Australian Writers Marketplace and convenor of the GenreCon writing conference. He is now pursuing a PhD in Writing at the University of Queensland, exploring the poetics of series fiction and their response to emerging publishing technologies.

He’s the author of the Miriam Aster series and the Keith Murphy Urban Fantasy Thrillers, three short story collections, and more stories, articles, poems, and RPG material than he’d care to count. He’s the brain-in-charge at Brain Jar Press, and resides in Brisbane, Australia, with his spouse and a very affectionate cat.

THE LATEST FROM THE BLOG

RECENT ESSAYS AND POSTS FROM THE ECLECTIC PROJECTS BLOG

Notebook Mojo

Last week, I ran a bunch of writing workshops for Villanova College here in Brisbane. Four workshops spread over three days, focused on writing a

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WRITING ADVICE

Over the years I’ve published a bunch of posts and essays designed to help aspiring writers. Here’s a selection you might find interesting:

Experimenting with a New Writing Routine

I’m bedding in some new routines at the moment, trying to figure out ways to work smarter rather than harder. This is a response to the way current life-events are affecting my perspective around my projects, asking me to redefine what can be construed as a success outcome for a project or “a good day’s progress” when I’m writing. This is always a danger when part of your income is predicated on freelance, contract, or irregular income: as you look to the future and see lean weeks on the horizon, it’s tempting to start thinking bigger, doing more, and figuring you can work faster. I can often tell when I’m tipping into outright anxiety because I start planning huge projects that are designed to fit around my already packed-out schedule. I’ve felt myself doing it over the last couple of weeks. Little whispers like it’s time to start blogging daily again and hey, lets try and write a six-part novella series in the space of two months. There are definite advantages to embracing both those projects, but they’re also a response to the fact that my partner is leaving her job and dealing with a pinched nerve, while I’m finishing

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We’re all selling the ethanol buzz

When talking about the writing business with folks, one of my recurring refrains is that we don’t really sell stories to people–we sell a token of identity. It may be an aspirational identity, or one that the reader already identifies with, but even the use of the word reader in this context underlies my point. Over the weekend I was catching up on my blog reading and was intrigued by Fast Company’s article about the way our sewerage holds markers that can be used to identify our income. It caught me off-guard with its reminders that consumption is an act of cultural identity, but the researchers noted that: Surprisingly, (higher) income correlated with more alcohol and coffee consumption. Regarding coffee, researchers point to the intelligentsia institution that coffee has become, in which this choice of beverage is actually a statement about one’s self. You could easily say the same thing about wine, whiskey, or craft beer, too—all of which are tasty, and culturally prized delivery systems for a chemically identical ethanol buzz. Types of writing are just as cultural coded as the types of coffee we drink and the booze we consume. Certain types of fiction are culturally prized because

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600k Year: A Conclusion, More or Less

Warning: word-count neepery associated with the 600k challenge follows. You can skip today’s post if that’s not your thing. Right. So yesterday, at Write Club, I did this Which means I’ve now written nine of the ten chapters I had planned for the novel I’m working on and there’s just one more to go. Probably about 65,000 to 72,000 words, depending on how accurate my words-per-page assumptions are, with another eight to ten thousand words left to chase down before I hit the end. It…may not be done by GenreCon. Which hurts to admit, since I was confident I’d get able to do so until about Monday, but we’re starting to hit the point where the conference stops having things that need to be done and starts to have minor disasters that will eat hours of your time as you fix them. Since I’m the only person whose disappointed if this book doesn’t get done in time, and there’s about 180 writers counting on me to get GenreCon right at present, it’s becomes one of those needs of the many situations. SOME STATS ON MY FAILURES Since my deadline for the 600k year dare coincides with the GenreCon banquet, I think it’s safe

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Greet The Day

My desk is a disaster zone at the moment. A jagged landscape of poorly stacked notebooks, contracts, and opened mail, with the detritus of my BWF office placed over the top. I love working at my desktop, but I can’t fathom the notion of sitting down and writing there. Our kitchen is a disaster zone at the moment, too. So is our bathroom, our living room, and my car. Our bedroom is relatively well-composed, although I’m behind on cleaning the CPAP machine and that’s taking a toll on my sleep.  Other disasters: my writing process, my publishing timeline, my PhD deadlines, my planning systems. Invisible chaos that’s largely unnoticeable unless you’re inside my head and trying to wade through the detritus in order to get things done. The great temptation of chaos is this: nothing is fixable unless everything is flexible, and if you let things slide long enough, the very notion of getting ‘caught up’ is the stuff of nightmares and wry laughter. So you sink into the chaos, doing nothing. There’s a logic to it: if I don’t wash the dishes, I don’t have to solve the problems with my PhD thesis. I don’t have to email the

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How to Become a Writer

It starts with the question you get asked when you’re young, and the answer that comes into your head is something to do with books, maybe? It starts with being shy, and moving around a lot all through your childhood. It starts with the trinity of SF from your childhood: Star Wars, Buck Rodgers, and G-Force. It starts with David Lynch’s adaptation of Dune, which you saw far too young because you liked science fiction and there was no home video back then, so it wasn’t like you could just watch Star Wars again. It starts with hearing your dad read The Hobbit in his classroom. It starts with the soundtrack of your pre-teen years, inherited from your father: Jeff Wayne’s War of the Worlds, Queen singing Flash, the Rocky Horror soundtrack. It starts with your first William Gibson short story at fourteen and having your mind blown. With Neil Gaiman comics at sixteen, which blow your mind again. With Enid Blyton books all the way back when you first started reading: Mister Galliano’s Circus and The Magic Faraway Tree and The Adventurous Four and The Children of Cherry Tree Farm. It starts the first time you think consider that

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To Sleep, Perchance to Stay the Fuck Asleep

I’ve been waking in the middle of the night again. Three nights in a row now, for reasons I cannot adequately explain, although the safe bet is that it’s either related to the apnea, or related to the treatment that keeps the apnea under control. This is coupled with a tendency to wake ahead of my alarm. Not unusual, for me, but what used to be a habit of getting up fifteen minutes earlier is gradually becoming forty minutes to an hour. I wake up lethargic and irritable, like you do when something rips you out of the deepest parts of sleep, and it takes me a good half-day to shake of the effects of that. In short, it’s the worst run of sleep that I’ve had for a while. A worrying one, given that the tendency to wake in the night was one of the earliest warning signs of apnea, way back when I first started to notice things were going wrong. One of the things I’ve learned from dealing with the apnea over the last six months: when things go wrong, look to the ruptures in your habits. It seems simple on the surface, but small changes or lapses in my

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