HARDBOILED SPEC FIC | NEO-PULP FANTASY & HORROR | GENREPUNK

LATEST RELEASE Eclectic Projects 006

Eclectic Projects 006 features more original fiction and non-fiction from Aurealis and Ditmar-award-winning author Peter M. Ball. Features four original stories, two original articles, and one ongoing serial. 

The front cover of Eclectic Projects 005, depicting a staircase winding up through a hellish underworld.

About Peter M. Ball

PETER M. BALL is an author, publisher, and RPG gamer whose love of speculative fiction emerged after exposure to The HobbitStar Wars, David Lynch’s Dune, and far too many games of Dungeons and Dragons before the age of 7. He’s spent the bulk of his life working as a creative writing tutor, with brief stints as a performance poet, gaming convention organiser, online content developer, non-profit arts manager, and d20 RPG publisher.

Peter’s three biggest passions are fiction, gaming, and honing the way aspiring writers think about the business and craft of writing, which led to a five-year period working for Queensland Writers Centre as manager of the Australian Writers Marketplace and convenor of the GenreCon writing conference. He is now pursuing a PhD in Writing at the University of Queensland, exploring the poetics of series fiction and their response to emerging publishing technologies.

He’s the author of the Miriam Aster series and the Keith Murphy Urban Fantasy Thrillers, three short story collections, and more stories, articles, poems, and RPG material than he’d care to count. He’s the brain-in-charge at Brain Jar Press, and resides in Brisbane, Australia, with his spouse and a very affectionate cat.

THE LATEST FROM THE BLOG

RECENT ESSAYS AND POSTS FROM THE ECLECTIC PROJECTS BLOG

Notebook Mojo

Last week, I ran a bunch of writing workshops for Villanova College here in Brisbane. Four workshops spread over three days, focused on writing a

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WRITING ADVICE

Over the years I’ve published a bunch of posts and essays designed to help aspiring writers. Here’s a selection you might find interesting:

What to Do When You’re Convinced You’ve Fucked Up Your Writing Career

Fun fact about writing: it’s going to feel like you’ve fucked up, a lot. There will be days where it feels like things are so fucked up that your career is 100% over, never to be resurrected or rebuilt, and the best thing you can do is wander off and get a job in the fast food industry. The reasons it feels like you’ve fucked up are varied. Maybe it’s been caused by a decision that seems stupid in hindsight, or a book has come out and done not-as-well-as-expected for reasons outside your control. Perhaps you said something you shouldn’t have in a professional context, or vomited on the first agent you met because you were nervous. It matters not, in the end, because the feeling that settles over you is invariably the same – like someone’s fitting you for cement shoes and escorting you to the nearest pier. You have fucked up, and you are done. Hasta la vista, baby; your writing career is over. I spent most of last week in that mode. After GenreCon wrapped up a bunch of mangy, you-suck brain-weasels dug their way into my head and started insisting that the con had been a bad

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Seven Things Writers Can Learn From Watching Hellboy II: The Golden Army (2008)

I re-watched Hellboy II: The Golden Army recently. Not, alas, as part of the #TrashyTuesdayMovie series, which is on hiatus for the foreseeable future, but simply ‘cause I was in the mood for a certain type of movie and Hellboy II was in my DVD collection, waiting to be watched, and I found it before I found my copy of Blade: Trinity. One of the nice things about re-watching movies—particularly movies that fit into the flawed-but-interesting category, such as this one—is the way it allows you to look for patterns. What starts out as a disappointing movie experience gradually mutates into a narrative puzzle; you take it apart, look at all the components, and figure out how you’d take an alternate route. Somewhere at the core of Hellboy II is a brilliant genre film with mass-market appeal, a film that’s both pulpy and smart in equal measure. A film, quite frankly, that does exactly what Victor Shklovsky says all art should do—make us re-examine the familiar in a new light. Like its spiritual sister film, Speed Racer (great visual style, mess of a plot), it’s one of those pieces that’s all potential and no real payoff. But there are always useful things to be

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52 Chapbooks: A 2022 Challenge

Back at the tail end of 2020, Dean Wesley Smith laid out a challenge to aspiring indie writers who had a short story back list: publish 52 short stories over 2021. One of the key details in his write-up is that the focus is publishing rather than writing. As he put it: A lot of writers I know have collections published which have stories in them that are not yet published stand-alone. Those would be easy to mine for stories for the challenge. A lot of writers I know have unpublished stories sitting, waiting. Heck, a bunch of writers did the write 52 stories in 52 weeks challenge and haven’t got most of those out yet. POINT #1… So to get to 52 stories, you might have to write a few a month, but most writers have a bunch to start this challenge. I’d been thinking about that challenge a lot as I wrote up my notes on making good use of your backlist for the RWA workshop in December, because one of the key ideas I was trying to get people to wrap their heads around is the idea of the “just in case” release. The logic goes something

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Writing and the Marketplace

It’s 5:16 on a Tuesday afternoon. The day is starting to cool and I am sitting on my couch without shoes on and I am Youtubing Cure songs as I type this. I’ve written a bunch of words today. I discovered a structural flaw in the novella I’ve been trying to write, which means there’s a bunch of rewrites on the way. When I’m done with this, I’ll be heading off to write a bunch more words. But for the moment I’m sitting here, on the internet, thinking about the scene from Rob Epstein and Jeffery Friedman’s Howl where Allan-Gisberg-by-way-of-James-Franco says: In San Fansisco I had a year of psychotherapy with Doctor Hicks. I was blocked. I couldn’t write. I was still trying to act normal. I was afraid I was crazy. I was sure that I was supposed to be heterosexual and something was wrong with me. And Doctor Hicks kept saying, “what do you want to do? What is your hearts desire?” And finally, I said, “well, what I’d really like to do is just quit all this. Get a small room with Peter, devote myself to writing, contemplation, and fucking. Smoking pot and doing whatever I want. And he said,

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The Only Person I Have to Live With Is Me, So That’s Who I’m Going To Care About

So as part of the Dancing Monkey series, Chris Slee asked What have you always wanted to write but haven’t because a) it would never sell and b) it would be socially unacceptable? Okay, let me see if I can formulate an answer to this that doesn’t involve gleeful, if slightly diabolical, laughter. My track record is actually pretty good when it comes to finding a concept that seems utterly unsellable and still finding a way to make money out of it. I mean, let us look at the list of stories I thought were utterly unsalable that then went on to actually make me a fair chunk of change: Unicorns and underage pornography? Sold. Thinly veiled erotica about John Flamsteed saving the world by shagging aliens? Sold Werewolf stories with a meandering, non-werewolf plot? Sold. A convoluted story-within-a-story about a tragedy where nothing much happens? Sold, and reprinted in a year’s best to boot. I mean, Jesus, a story with a goddamn talking cat? Sold. I’ve actually hit a point where thinking “I can’t write this, it’ll never get published” is usually a sign that I should just get on with things and write the damn the story, since

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Some Thoughts On Writing and Mental Illness

Every night I take 25 mg of Valdoxan before I go to bed, nudging my brain towards a healthier normal. Every morning I start tracking data on my preferred stress, depression, and anxiety management app, marking hours of sleep and minutes of exercise and whether I’ve had contact with the outside world. Every week I’m learning to pay more attention to the default narrative in my head, and the defence mechanisms set up because of those narratives, so I can better at identifying which are actually useful and which need to be dismantled. Every couple of months I get a blood test to see if the Valdoxan is doing unhappy things to my liver enzymes. I still have bad weeks. I was in the midst of one seven days ago. My stress responses still need work, because they’re currently front-loaded with the message: for the love of god, procrastinate to the point of self-destruction. I was stressed last week, but I hadn’t even processed that until the stats on my app laid it all out for me and I was like, oh, that’s why I’m sleeping two hours a night and obsessively playing computer games I hate for twenty fucking

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