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LATEST RELEASE Eclectic Projects 006

Eclectic Projects 006 features more original fiction and non-fiction from Aurealis and Ditmar-award-winning author Peter M. Ball. Features four original stories, two original articles, and one ongoing serial. 

The front cover of Eclectic Projects 005, depicting a staircase winding up through a hellish underworld.

About Peter M. Ball

PETER M. BALL is an author, publisher, and RPG gamer whose love of speculative fiction emerged after exposure to The HobbitStar Wars, David Lynch’s Dune, and far too many games of Dungeons and Dragons before the age of 7. He’s spent the bulk of his life working as a creative writing tutor, with brief stints as a performance poet, gaming convention organiser, online content developer, non-profit arts manager, and d20 RPG publisher.

Peter’s three biggest passions are fiction, gaming, and honing the way aspiring writers think about the business and craft of writing, which led to a five-year period working for Queensland Writers Centre as manager of the Australian Writers Marketplace and convenor of the GenreCon writing conference. He is now pursuing a PhD in Writing at the University of Queensland, exploring the poetics of series fiction and their response to emerging publishing technologies.

He’s the author of the Miriam Aster series and the Keith Murphy Urban Fantasy Thrillers, three short story collections, and more stories, articles, poems, and RPG material than he’d care to count. He’s the brain-in-charge at Brain Jar Press, and resides in Brisbane, Australia, with his spouse and a very affectionate cat.

THE LATEST FROM THE BLOG

RECENT ESSAYS AND POSTS FROM THE ECLECTIC PROJECTS BLOG

Notebook Mojo

Last week, I ran a bunch of writing workshops for Villanova College here in Brisbane. Four workshops spread over three days, focused on writing a

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WRITING ADVICE

Over the years I’ve published a bunch of posts and essays designed to help aspiring writers. Here’s a selection you might find interesting:

When in Doubt, Maslow the Fuck Out of Your Creative Process

ONE: MASLOW THE FUCK OUT OF IT My friend Laura Goodin has a saying: Maslow the fuck out of it. Actually, that could be a lie. She has something similar to this, but I can’t remember if I’m inserting the profanity or the profanity was there when she deployed it in our most recent conversations.  If I’m wrong, the intent was definitely something close, and I will owe Laura a beer and an apology. Life would be much easier if I actually copied down the interesting things my friends said, exactly, on the basis that I will one day want to write a blog post around their adages. But for our purposes, lets go with this. Laura Goodin has this saying: Maslow the fuck out of it. Near as I can gather, the saying come from her years working with emergency services, where she would train new recruits in the best way to respond to a crisis. When in doubt, work your way up Maslow’s hierarchy of needs. Take care of the biological needs, then the safety needs, then the social needs. Much as those of us on the internet would disagree, providing a populace with food and a safe place to

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Cover Stories

I logged to Amazon this morning to see how pre-orders were going for A White Cross On A Lonely Road. The nice thing about the dashboard they offer is the way it lines up a whole lot of books you’ve published in a row. If you’ve made a decision to adopt a standardised layout, that means you get a neat little visual when you log in. I’m still working through some of the older releases, bringing them into line with the standardised approach, and I’ll admit that I’ve gone back-and-forth between this and trying for a more genre appropriate cover for certain kinds of work. Today, though, was the first time I looked at them as a whole and felt satisfied with the effect. The approach is very much an approach that is designed to work with my relatively limited graphic design skills and keep the production side of things fast, but theres just enough scope to try new things and tweak the design as I go and while they may not always scream “fantasy story’ or “horror story” or “science fiction,” I’m pretty pleased with the way it makes it clear that you’re looking at something Brain Jar has

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The Writers Dilemma

Some weeks, everything works smoothly. You stick to your routine, your projects progress smoothly, your business runs like clockwork and delivers, just as it should.  Some weeks, everything is chaos. Work demands sudden and necessary stretches of overtime that throw your routine into chaos, just as deadlines come due on other projects, and your support team disappears because of personal tragedy, injury, or illness.  You set your default expectation of “how much writing I can do” by one of these two situations, but it will serve you poorly when the other situation is in play. There is something to be said for surveying the landscape and resetting your expectations based on the now, rather than the normal. 

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A Few More Ideas About Ideas

You know what’s handy when you pre-write a bunch of blog posts and set them to post while you’re away? Actually remembering to set them to post. Seems I forgot to hit the all-important Publish button in my rush to get ready for the Adelaide trip last week, which means we’re starting the dancing monkey series a little later than expected. If there’s a topic you’d like to throw into the mix, you can still do so by pitching it here.  A Few More Ideas About Ideas A few years ago I wrote a blog post that looked at the often-maligned question of where do your ideas come from. I wrote it ’cause I didn’t like the way most writers behaved when they were asked that question, and ’cause I kind of like understanding my process. Plus, as a guy whose occasionally asked to teach people how to write, it’s a useful thing to be able to talk about process without pulling all that form a little shop in Schenectady bullshit on students who are paying good money to learn things. I haven’t changed my approach much since I wrote that original post, but since then I’ve had a lot

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Some More Thoughts on Writer and Business Models: No Plan Survives Contact with the Enemy or Reality

Last Monday, I talked about the need for writers to develop a business model. It’s not the first time I’ve said this and I doubt it will be the last, but it was the first time I’ve said this here on the blog and in such am easily sharable form. That meant people started giving me feedback, which largely came in two camps: How, exactly, do I do this business model thing? GIVE US DETAILS; or Dude, I’ve got a business model, but it’s not working the way I want. I’ll address both of those eventually, but given that I’m Melbourne today (and I’ve gone three days without medication and CPAP, thanks to poor packing on my part) I’m going to hold off on answering the first. Mostly because I started and it got very, very long. As for the second: well, I’ve worked for a bunch of small businesses where exactly this has happened. This is the nature of running a small business, particularly one where you’re dealing primarily with other businesses who act as middle men, as most traditionally published authors do. Many of those small businesses I worked for had plans, but their plans were…flawed. Based on wild

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Talking Writing and Publishing on Stark Reflections

Back in April I stayed awake until 1:00 AM and recorded an hour-long chat with for Mark Leslie Lefebvre’s Stark Reflections podcast. It went live last week, and over the course of the interview we tackle many writing and publishing topics, including my start as an RPG publisher in the pre-Kindle days of the early 2000s. One thing I dig about Stark Reflections is Mark’s habit of ending every interview by reflecting on the things he can take away and apply to his own practice as a writer/publisher. It’s possible one of my own reflections is “don’t do interviews at 1:00 AM”, because oh wow, I was getting a big loopy towards the end, but such is the curse of writing and publishing in a different time zone to the vast majority of your contemporaries. Check it out on the Stark Reflections website. Here’s the summary of what we cover:

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