Tag: Case Studies in Awesome

Works in Progress

So yesterday there was dayjobbery and tutoring and writing, oh my, with a side of doing the page proofs for Say Zucchini, and Mean It so I can mail them back to the folks at Daily SF and fix the various muddle-headed things I’ve done in the story. Usually there’s something painful about the proofing process, mixing, as it does,   a multitude of how-could-I-be-so-stupid typos and syntax errors with the larger, more consuming fear that the story itself isn’t any good because so-much-time-has-passed-since-you-submitted-it-and-you’ve-become-a-better-writer-than-you-were-and-would-do-things-so-very-differently-now. The latter part didn’t really happen this time around. I’m still fond the story and think it does all the things I wanted it to do, and the bits I’d do differently I probably wouldn’t do that much better, so they don’t bother me quite so much. I’m not sure whether this bodes ill for the story or not, once it’s out in the world, but I guess we’ll see next week when it’s sent out

Journal

Bookshelves, Write Club, and Interesting Things Said About Cities

I wasn’t going to spam you with dodgy phone-camera records of the Great Bookshelf Reorganisation of 2011, but I got a phone-call from my dad and at some point he asked for an update, and I like my dad enough that I’m going to oblige him. The photograph above contains the first seven shelves of the reorganisation – top left is the brag shelf, the first two on the right are the selected nonfiction shelves, and the rest are just books by writers that remind me why I wanted to be a writer in the first place. The vast majority of books on those shelves were written by about a dozen authors, and in a year I’ll have to reorganise the whole thing because many of them are still releasing books. I’m still not entirely sure what to do with the bottom shelves, though. I tend to fill bookcases based on a theme, but bottom shelves ruin that by being

Works in Progress

Things Worth Reading: The Innocent Mage

There’s always something a bit oogly-boogly about blogging your responses to fiction written by people you know (especially if you don’t necessarily know well them well), but today I’m going to bite the bullet and recommend Karen Miller‘s The Innocent Mage as one of those books that folks interested in writing fantasy should really pick up and take a look at in order to understand its narrative tricks. I’m kind of envious of writers who can write big, doorstopper-sized fantasy novels at the best of times but this one manages to go somewhere interesting in its avoidance of standard genre tropes. I mean, The Innocent Mage feels like a traditional fantasy novel – you can run through the check-list of elements needed for a big doorstopper fantasy and they’re all there: Ancient enemy from the distant past? A young lad of simple beginnings heading out into the wised world? A prophecy ordaining a great battle between good and evil? The deeds of

Conspicuous Acts of Cultural Consumption

Two Things Worth Reading

1) A Hundredth Name, Chris Green (Abyss and Apex; Subscription Required to Access Archives) Click the link, you know you want too. No? Okay, let me convince you then. You should go read Chris Green’s story at Abyss and Apex because the man is freakin’ talented and understands things like brevity and leaving empty spaces for the story to breathe. I’ve critted Chris a bunch of times and it’s a bloody hard thing to do, because he crams more story into two thousand words than there should actually be allowed and he fits the damn things together so tight that pulling one segment out causes the whole damn thing to unravel in your hands. You should read his story because he’s one of the few people I know who manages to give the impression of being genuinely, fearlessly interested in everything and somehow manages to filter that down into his fiction, even though his bailiwick seems to be horror rather than any