Tag: Day Jobbery

News & Upcoming Events

4 Things: GenreCon, Novella Diary, Upcoming Workshop, A Reminder

NEW GENRECON GUESTS Wait up, I’m going to deploy the banner, ’cause I *really* love our banner this year: We made some pretty big announcements over on the GenreCon site yesterday, all in the form of names being added to the conference guest list. I won’t belabour the point here, except to just post some names: John-freakin’-Connolly (best-selling Irish crime novelist who understands a thing or two about other genres); Kathryn-freakin’-Fox (best-selling Australian thriller writer who knocked the Da Vinci Code off a bunch of best-seller lists a few years back); John-freakin’-Birmingham (my family will know him for He Died With a Felafel in His Hand; everyone else should get to know his Weapons of Choice series which have been taking over bookshops over the last couple of years). Add those names to Chuck Wendig, Anne Gracie, Anita Heiss and Kate Cuthbert and I start to get really excited about programming this year’s conference. Now, if you’ll excuse me for a

News & Upcoming Events

GenreCon 2013 is live

So yesterday, at the day job, we announced this: I was going to post it here this morning and give you the spiel about the limited number of early bird tickets and the crazy discounted prices they represent, but since going on sale at 4:00 PM yesterday we’ve blown through about 70% of the early bird tickets in twelve hours. So instead the spiel is this: if you want to come to GenreCon for less than $200, go book now, ’cause I fully expect the early bird rate to be gone by the end of the day. We’ve already revealed  the first two guests – Chuck Wendig and Anita Heiss – with the ever popular more to come still yet to be announced. It’s going to be crazy. It’s going to be awesome. And I’m getting the impression I should be really happy we asked for the big auditorium in the state library, ’cause we’re now at the point it took

Journal

Reasons to Love the Dayjob

Went back to work at the day-job today. Discovered that the Queensland Writers Center has been dubbed one of the best arts organisations to work at in 2013, which is utterly true, but not for the reasons that are listed in the article. It cites the vast scope of QWCs partnerships and the sprawling Queensland lifestyle as the key reasons for wanting a job there. And, you know, fair enough. But QWC isn’t my first ride of the pony when it comes to having a day-job that looks idyllic from the outside. It is, however, the first time I’ve enjoyed working a day-job as much as I expected to enjoy it when I started. That’s got nothing to do with the Queensland heat and the cozy Queensland arts scene. What matters to me, what makes it a fucking kick-ass place to work, is this: 1) The work matters. I can look at what we do, see how benefits people, and it’s something I care

Journal

Lull

Tonight’s a moment of respite, I think, amid the pell-mell rush of the last few weeks. And for all that it’s been a good kind of rush, full of new jobs and new words and ticking things off the metaphorical to-do list, I’m kind of glad to be easing off the accelerator a little. I’m currently sitting my study with a snifter of port, my belly full of well-roasted vegetables, and my head full of stories that I’d really like to write in the near future. It’s a pleasant kind of feeling, one that’s been all too scarce over the last eight months, and it’s rather nice to be looking at things I could do instead of panicking about the things I haven’t yet done. # So, yes, an update. Where shall we begin. As I mentioned in my last post, I disappeared down the Rabbit Hole over the weekend just gone. It was a deranged and foolhardy exercise, conceived