Tag: Movies

Conspicuous Acts of Cultural Consumption

For those of you needing to chill out a little this morning….

My head is full of complex thoughts today, largely on account of the increasingly mind-boggling craziness of Australian and American politics, so I find myself falling back on the search for distractions. Thus, you get a link to Kurt Kuenne’s 2007 feel-good fable, Validation, which stars T.J. Thyne (aka that guy from Bones who generally brings the awesome). If you need sixteen minutes to chill out and get your mind off the complexities of the world, it’s not a bad way to pass the time:

Conspicuous Acts of Cultural Consumption

Six Thoughts After Re-Watching Labyrinth

ONE I went and saw Labyrinth at the China Town mall last night, which meaning posting this and inviting you all to get your groove in is practically mandatory: If you aren’t at least singing along to this, wishing you were Jareth and drawing odd looks from your workmates, then I’m afraid you are dead to me. TWO I love this movie. In fact, I love it with the kind of deep and abiding love that can only come from being exposed to *sheer, raw awesomeness* when you’re very young. God knows how young, ’cause I couldn’t actually tell you when I first saw it, but I’ve watched the film *a lot*. Like, as often as I’ve watched the Princess Bride a lot. Or as often as I re-watch The Gilmore Girls or The West Wing a lot. And yet, it’s not a movie that I love unconditionally. It’s simply the bits that I love, I really love, while the bits that

Conspicuous Acts of Cultural Consumption

Howl

I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night, who poverty and tatters and hollow-eyed and high sat up smoking in the supernatural darkness of cold-water flats floating accross the tops of cities contemplating jazz, who bared their brains to Heaven under the El and saw Mohammedan angels staggering on tenement roofs illuminated… – Howl, Allen Ginsberg It’s been a long time since I engaged with Howl in its entirety. Those first few lines, sure; if you’re into poetry in any way, there’s pretty good odds you can reel off the first line and half of Howl from memory. They’re among the most well-known in American poetry, and there’s no getting around the fact that they’re a brilliant opener (Although, I have to admit, in my head I

Conspicuous Acts of Cultural Consumption

Hanging with the Spokesbear: Avatar

Spokesbear: You awake? Peter: No. Spokesbear: You sure. Peter: Very. Spokesbear: And you’re paying utterly no attention to what I’m saying, right? Peter: None. Fuck off. Spokesbear: No need to be hostile. I just wanted to make sure you were docile before I told you this. Peter: *sleeps* Spokesbear: James Cameron’s said he’s going to make nothing but Avatar films until he dies. Apparently everything he wants to do, he thinks he can do inside that universe. Peter: *keeps sleeping* Spokesbear: Seriously, dude. James Cameron. Avatar. Peter: I heard you. Spokesbear: But you’re not ranting. Peter: No. Spokesbear: Come on. Peter: No. I’ve made my peace with Avatar, and the fact that there will be an Avatar 2, and that it will likely keep going, ad infinitum, until James Cameron finally passes from this world and into whatever fucked up version of heaven he’s imagining. Spokesbear: But people have been sending you links. They want to see a response. Peter:

Conspicuous Acts of Cultural Consumption

Ticking Things Off the To-Do List

I’m having something of a catch-up evening this evening. One of those nights where long un-answered email is finally responded to and long ignored tasks finally get ticked off the to-do list. On tonight’s list: book flights to Melbourne in two weeks; write up an invoice or two that needs to get mailed out; write a blog post. Two of three are done, and once I click post I get to parade around the house in triumph, confident in the fact that I have rocked the kasbah. Sadly, the presence of my flatmate means I’m no longer being literal when I say that. Still to do: respond to unanswered email; line up places to stay while in Melbourne; crit things; write things that are not blog posts. It’s a busy, ramshackle kind of evening, but it’s been a ramshackle kind of month thus far, so all things considered that makes a kind of sense. # I watched Midnight in Paris yesterday. Only,

Conspicuous Acts of Cultural Consumption

Tinker, Tailor, Soldier, Spy

Let me put this out there from the beginning: I’m a totally fucking cranky cinema goer. I find it very hard to discuss films, even films I like, without veering into the territory of ranting. It’s not that I dislike film – quite the contrary – but the result is this kind of terminal disappointment as I encounter film and after film that just doesn’t quite excite me. It gets me into considerable trouble when I discuss films with people at work, because it frequently looks as though I dislike everything, when really I’m just perpetually disapointed by films that take no chances or lack a visual aesthetic or even, god help me, decide to go 3D. Also, I’m not a huge fan of realism. The more a film tries to simulate reality, the less interested I am. I will watch  some utter dreck and adore it simply because it’s trying to do something interesting, even when the story fills me with towering

Conspicuous Acts of Cultural Consumption

They had me at “Horse Mounted Gatling Guns”, they lost me at “Megan Fox”

So I sat down and watched the Jonah Hex movie over Christmas. This was a mistake. Don’t get me wrong, I really wanted to like this movie. I mean, it has a bounty hunter who can speak to the dead and horse-mounted gatling guns in the first ten minutes, and that kind of absurdity is the kind of wrongness that I’m willing to roll with. And for the first first half-hour or so, things were looking pretty good – it wasn’t a great movie, but it was zany and weird and it had undead fucking cowboys and that kind of shit is awesome. Then Megan Fox showed up. A few years ago I had a friend who worked off the theory that Kate Beckinsale was the kiss of death for a film. As soon as she appeared on screen you were pretty much doomed to a cinematic experience that sucked. At best you’d get a film that achieved a kind

Conspicuous Acts of Cultural Consumption

Whip It and Writing

1) Whip It I’ve been toying with the idea of writing a blog post-reviewy thing about Whip It for about two weeks now, and I’ve come to the conclusion that it’s just not going to happen. Not because I think it’s a bad film – it’s utterly charming in its ability to recognise that something can be simultaneously camp as hell and the most important thing in the whole damn world – but because it fits into the same space as contemporary art where I find my critical vocabulary isn’t really up to the task of expressing what I’m thinking about after seeing the film. My short, haphazard take on the film goes something like this: it’s endearing. Specifically, the kind of awkward-coming-of-age endearing you find in Taylor Swift film-clip, only Whip It comes without the puritanical undercurrent that usually causes me to froth at the mouth when encountering Swift’s oeuvre (and thus, Whip It comes closer to having actual substance). The film

Conspicuous Acts of Cultural Consumption

A short review of Avatar in 10 parts

1) I’m going to find every mother-fucker who tried to convince me I’d like this film and I’m going to punch them in the arm. If they trotted out the “you just have to turn your brain off” logic, I’m going to punch them twice. I turned my brain off, as advised. It was still too stupid for me to actually like it. 2) To be fair, there were some good bits. Many of them recycled from Aliens, the last film James Cameron made that I actually liked. I liked Giovanni Ribbisi’s evil corporate guy far more than I liked Paul Reiser’s evil corporate guy. And Michelle Rodriguez in an ornithopter makes up for a variety of ills. 3) At the end of the first hour, I hoped that this might not be an utter disappointment. The opening is solid, the characters get onstage pretty quickly, the set-up is full of bad naming conventions but otherwise okay. Conflict is established: