S0 yesterday was pretty good day.
There was a delayed birthday dinner with the family, whereupon we set out for The Smoke in New Farm and ate our own bodyweight in American-style BBQ, then we set out to see Wil Anderson at the Brisbane Comedy Festival, and then because I was full of food and happy I stayed up to listen to the latest Galactic Suburbia podcast instead of going to sleep.
Somewhere in there the home internet was fixed, so I rejoined the online world, and I wrote some things. About 1 o’clock I went to bed and actually slept for five hours, which is something I rarely do since starting the dayjob and discovered that being employed is actually far more stressful and soul-destroying than being unemployed (who knew?).
So yesterday was a pretty good day, against all expectations, and tonight I make chili in the hopes that it’ll redeem today in much the same way.
The Aurealis Awards short-lists came out yesterday, which includes all sorts of awesome news such as: Jason Fischer making the final list of the Best Horror Novel for Gravesend (and really, it’s about time the Fisch made an Aurealis Shortlist); four nominations for the inimitable Angela Slatter (both her collections were shortlisted, as was the story Sister, Sister and her collaboration with LL Hannett, The February Dragon ); Trent Jamieson making the shortlist with Death Most Definite; Dirk Flinthart making the list YA Short Story; all sorts of love for Twelfth Planet Press up and down the shortlist.
I’m inevitably forgetting to congratulate *someone* in the list above, for which I apologise and offer a blanket congratulations go out to everyone. Full details of the list can be found over at the Aurealis Awards website.
I read Ian McEwen’s Solar over the weekend, which quickly became one of those books that I’m ish-ish about. It was my first McEwen book and I found myself intrigued by the idea of the book after it was featured on First Tuesday Book Club last year, and while it’s got some beautiful writing and characterization it left me feeling utterly unsatisfied at the end.
Basically it’s one of those comic tragedies where you follow the life of an utterly appalling human being who’s rarely punished for their follies until the end, only when it comes the tragedy is so utterly weak that I found myself shrugging and thinking “really? That’s it?”
I mean, I would have been more satisfied if he’d gotten away with everything, which isn’t really really the kind of thing tragedy should strive for. Still, it’s an interesting read, and the narrative POV is so hands-off and telling-oriented that I’m fascinated by the fact that it seems to work.
It just doesn’t inspire me to read more McEwen, which seems a shame.
I keep forgetting to mention this and it should probably be something that gets a blog post of its own, but the latest installment of Flotsam is out over at the Edge of Propinquity website.