Tag: Spokesbear

Writing Advice - Business & the Writing Life

10 Thoughts On Shame and Writing

ONE I rocked up to Angela Slatter’s place for Write Club earlier today, went through the usual process of getting buzzed into her apartment block and climbing upstairs. When I finally reached the front door, Angela pointed out that I didn’t really sound like me when I talked into the intercom. “Huh,” I said. “It’s probably because I was cheerful.” TWO I spend a lot of time thinking about shame these days, particularly in the last few weeks. I ran out of money back in late June, for certain definitions of running out of money that triggered all sorts of bad instincts that built up during my three years of unemployment. This means I immediately went into the same coping mechanisms that got me through that period, counter-productive as they were: I cancelled social engagements; I hid from the world; I avoided any activity that could potentially draw attention my way, including writing (If you want to trace exactly when

Conspicuous Acts of Cultural Consumption

Hanging with the Spokesbear: Avatar

Spokesbear: You awake? Peter: No. Spokesbear: You sure. Peter: Very. Spokesbear: And you’re paying utterly no attention to what I’m saying, right? Peter: None. Fuck off. Spokesbear: No need to be hostile. I just wanted to make sure you were docile before I told you this. Peter: *sleeps* Spokesbear: James Cameron’s said he’s going to make nothing but Avatar films until he dies. Apparently everything he wants to do, he thinks he can do inside that universe. Peter: *keeps sleeping* Spokesbear: Seriously, dude. James Cameron. Avatar. Peter: I heard you. Spokesbear: But you’re not ranting. Peter: No. Spokesbear: Come on. Peter: No. I’ve made my peace with Avatar, and the fact that there will be an Avatar 2, and that it will likely keep going, ad infinitum, until James Cameron finally passes from this world and into whatever fucked up version of heaven he’s imagining. Spokesbear: But people have been sending you links. They want to see a response. Peter:

Writing Advice - Business & the Writing Life

Hanging With the Spokesbear: Social Media

Peter: So I’ve been reading a lot about blogging and soc— Spokesbear: No. Peter:  But I — Spokesbear: No. Peter: Listen— Spokesbear: No, we’re not doing this. Peter: Not doing what? Spokesbear: This thing we’re you’re all excited to be blogging and working again, so you show up writing a post about social media and blogging in which you ramble on about nothing. Peter: I wasn’t going to ramble about nothing. Spokesbear: Sure you were. “So I’ve been thinking about…” is your own private code for “I have something to say that I don’t want to say and so I’m going to circle the point for two thousand words.” I’m INSIDE YOUR HEAD man, I know these things. Peter:  (small voice) But I’ve already written the blog posts. Spokesbear: No-one cares. Peter: They might. Spokesbear: Alright, they might. I don’t fucking care though, how’s that? Peter: YOUR NOT THE BOSS OF ME, BEAR Spokesbear: … Peter: Right, sorry. You’re totally the

Journal

SNUFFLES FOR EVERYBODY

Still packing. Still writing. Still having a rather stressful week at the dayjob, courtesy of unruly technology that insists on not-working even after months of people trying to address the not-working issues. Suspect that I’m going to go into work tomorrow and be told there’s nothing we can do to fix the issue, which promises to be the kind of adventure people have in mind when they curse you to live in interesting times. This despite working late tonight in order to try and rectify things, or at least get the news now so I won’t fret about it for the next thirteen hours. On the plus side, today’s email brought the news of a potential reprint sale that means I may be able to cross yet another goal off my not-so-secret-list-of-writing-goals-I-have-no-control-over-and-therefore-don’t-talk-about – news, as always, once contracts are signed and things are official – and I’ve been quietly filling out the forms that will officially mean I no longer

Works in Progress

Hear Me Roar

A few days ago I sat down and with the Spokesbear and had a talk. It wasn’t a pleasant talk. It never is when the Spokesbear isn’t happy, even when he’s trying to be nice about it, and in this instance he was both very unhappy and very pleasant about his unhappiness. The gist, more or less, went something like this: “Your process over the last twelve months has been arsetastic and full of whine. Perhaps you’d like to do something about this, dumb-ass.” It’s very hard to argue with spokesbear when he’s right. Also, it’s hard to argue with him when he makes the face. You know, this one: It’s the face he makes when he’s disappointed by things. The Spokesbear is wise, but the Spokesbear is not particularly patient, and refusing the face usually ends up with me getting mauled in the night. Which, lets face it, is slightly embarrassing when the thing doing the mauling is a stuffed bear that

Journal

Credit Where Credit’s Due

On Friday night, after a panel at the QWC’s One Book, Many Brisbanes program, I got the opportunity to go hang out with Cat Sparks, Trent Jamieson, and the elusive Ben Payne. There was beer and chatter and hot chips with tomato sauce. The true value of this experience probably doesn’t sink in unless you know Cat and Trent and Ben, but fortunately for me I do, so I got to be there (although, given I had to drive home, I elected to drink coke. This seems to keep happening when I find myself in pubs; somehow I seem to have lost the ability to get my drink on). Should you not know Cat and Trent, the short version goes something like this: one is the author of Death Most Definite and Managing Death and more quality short stories than you can poke a stick at, while the other possesses a resume similarly stacked with quality short stories and recently

Works in Progress

Once more into the breach, dear friends…

We’re fighting the doldrums here in the word-mines this week, trying to bully my work ethic into something resembling its normal state after house-guests, cons and the furious rush of getting a new book into existence. Such lapses are not unexpected, but they are unacceptable, and so I’ve deployed the Spokesbear into his advisory position and sat down with my giant to-do list of doom to work out what needs to be done for the rest of September. And so, September gets declared a win if I achieve the following: – Write the first 25,000 words of Claw, the third Miriam Aster Novella (This is the only non-negotiable thing on my list at the moment, since it has a deadline of November 15th and I want plenty of time to whip it into shape) – Revise the first 25,000 words of Black Candy (I tried to get this finished this book before worldcon, but redrafting led me to realise I’d

Conspicuous Acts of Cultural Consumption

6 Days ’til Worldcon

So this morning started with a trip out to my not-so-local post office to check my mailbox, largely on the assumption that a terribly efficient postal system stood a very small chance of delivering a hardcover book from England to Brisbane in the space of a week. Admittedly I figured it was a long shot, but if I didn’t check today I wouldn’t get a chance until after Worldcon, and at the back of my mind was this constant what-if-what-if-what-if… And lo, when I opened my PO Box, my faith in the postal system was rewarded with this: Angela Slatter’s Sourdough and Other Stories in all its fabulous, hard-covery glory. And it is freakin’ glorious – a hardcover and with a placeholder ribbon that’s packed to the gills with stories that rock the freakin’ casbah. Plus it’s one of those books that looks just as good without the dust-jacket: And, as with all good books that enter the house, it

Journal

My Hate, I show it too you…

 Peter wakes up to find the Spokesbear sitting on his chest, staring him in the face. Spokesbear: Time to work. Peter: Fuck off. Spokesbear: You’re not sick anymore. Peter: I feel like someone’s taken a razor blade to the inside of my oesophagus. Spokesbear: Yes, but you can *stare at a screen without bleeding from the eyes*. That means it’s time to work. Peter: You’re mean. Spokesbear: It’s what you pay me for. Peter: I pay you? Spokesbear: Yes. Peter: You’re an anthropomorphised fraction of my own subconscious guilt, why do you get paid? The Spokesbear punches Peter in the throat with a padded paw. Spokesbear: That’s why. Next time you ask a stupid question, I’m going after a kneecap. Peter: I kill you. The Spokesbear makes a cute face. Peter: Okay, I don’t kill you. Spokesbear: I don’t do this for free, dude. Time to work. Peter: Sadist. Spokesbear: Wuss. Peter: Crazy bear. Spokesbear: Slacker. Peter: Tyrant. Spokesbear: Slug.

Works in Progress

The Writing To-Do list for 2010

Yesterday I sat down with the Spokesbear, a bunch of e-mail, my copy of Jeff VanderMeer’s Booklife, and a notepad to construct my to-do list for the rest of the year. It’s a habit I fell into a few years back (well, sans the Booklife part, but I suspect I’ll be rereading it often in July’s to come); those who’ve been following the blog for a while might remember the 80-Point-Plant for Awesomeness that resulted from last year’s state-of-the-union style gutcheck. Usually I’m pretty quiet about the results, but after reviewing my issues with last years list I’m going to go public with the writing portion of the process this year. It’s somewhat long. Sorry about that. If you want to skip it, I promise there will be more cat-sitting stories tomorrow. Some thoughts on the list before we kick off:      – There’s a large amount of background work that goes into the decision of  what to do with the

Conspicuous Acts of Cultural Consumption

Talking to the Spokesbear About Recent Reading: The Lathe of Heaven

“You read The Lathe of Heaven?” To his credit, the Spokesbear manages to say this without making it sound like an accusation. Of course, he immediately proceeds to sniff the cover like one of the drug dogs you see at the airport, which kind of undoes his momentary attack of self-control. “You don’t like Le Guin and you’ve had that book sitting on your shelf for six years without reading it. What gives, dumb-arse?”” “I don’t like Earthsea. That’s not a condemnation of her work in its entirety.” The Spokesbear made a nervous coughing noise in the back of his throat. “People will kick your arse for not liking Earthsea. You know that, right?” “I’ve locked the door and taken the phone of the hook. I can drag the shotgun out of the in-case-of-zombie-apocalypse kit if we need it.” “Sure.” I fidgeted as I made coffee, uncomfortable under his stare. “Fine,” I said. “It’s short. I need short books. I promised

Writing Advice - Craft & Process

Cold Cases: Thinking Out Loud

Okay, to start with, Michael Moorcock talks about the genesis of the Dorian Hawkmoon books over at the Tor site. I mean, seriously, why are you still here? Also, Twelfth Planet Press has released the guidelines for their forthcoming Speakeasy anthology full of urban fantasy stories set in the 1920s.  I totally dig the idea of this anthology, but I’ll admit that all of my initial ideas will be bloody hard to pare down to short story lengths (unless, of course, I finally break down and write the 1920’s zombie story set in Tahiti I’ve been threatening to write for four years now, but Alisa at TPP is quite adamant in her hatred of zombies so it’s probably not the best starting point). ♦ Okay, fair warning, the following entry is rambling and scattered while I think through a specific problem related to the project du jour. If you have no real interest in writers thinking out loud, I suggest going