Tag: Story Structure

Stuff

Taking a Look at Hoth and the Transition to the Second Act

Last year, my friend Kevin opened a can of worms a while back when he started a Facebook thread about the Rebel’s retreat from Hoth in Empire Strikes Back, suggesting it should be thought of as a win. The rebels  were beaten, he argued, but they’re a guerrilla force up against a considerably larger and more well-equipped army – in this context, fleeing in an orderly fashion and getting the bulk of their forces away counts was textbook planning for a guerrilla army in that position. Lots of people argued it was a loss: the rebels were routed, barely escaped, and were largely scattered.  I kept out of the thread initially because what I know about military strategy was learned by playing Command and Conquer, but someone else brought up the the fact that the narrative demanded a defeat at the beginning of the second act and suddenly, lo, I knew things. I hadn’t ever taken a close look at the

Writing Advice - Craft & Process

EVERYTHING I KNOW ABOUT PLOT IN 1,069 WORDS OR LESS

Crank up the organ grinder and gather around the popcorn, ’cause we’re almost at the end of the dancing monkey series. For our second-last entry, John Farrell asked: I have awful problems constructing a plot. How do you do that? Apparently you folks don’t want to go with the easy questions, huh? This is not a topic where I’m known to be *concise*, so I’m going to set myself a word-budget on this one and send you off into the wide world with some reading homework, ’cause really, plot is big. Here we go: EVERYTHING I KNOW ABOUT PLOT IN 1,069 WORDS OR LESS 1. PROTAGONIST, ANTAGONIST – FIGHT! Most plots hang off a pretty simple dynamic designed drive a story forward. It goes something like this: your protagonist wants something really badly; your antagonist denies your protagonist the thing they really want; delicious, awesome conflict ensues. Take Lord of the Rings as an example – Frodo wants to live