Tag: writing advice

Writing Advice - Craft & Process

Do You Know The Origins of Frequently Quoted Advice?

Trace the origins of the “ten thousand steps a day” health advice, and you’ll find a marketing campaign. A Japanese company built a step counter and invented a reason to use it, with the brand name—Manpo-Kei—translating into 10,000 steps. Trace the origins of the oft-repeated writing advice to show, rather than tell, and you’ll find the silent film industry, and writers deciding between conveying information via dialogue card, or putting it into action. Also popular in turn-of-the-century theatre scene of the early 1900s, where “showing” gave actors to display the emotional responses to scenes in ways the writer could not convey. Neither origin makes for terrible advice—ten thousand steps a day is good for your health, and show, don’t tell can be solid advice for a prose writer—but it also gives you wiggle room to escape the tyranny of the ideals presented. Any activity is better than none, when it comes to health, and the health benefits kick in long

Conspicuous Acts of Cultural Consumption

Watch This: Wrestling Isn’t Wrestling

I watch a fair bit of pro-wrestling. Partially because I’m a fan and partially because it’s an extraordinarily complex sequential narrative with decades of continuity, and I like figuring out what I can learn from it as a writer. If you’ve got twenty minutes to spare, Max Landis does a phenomenal job of explaining the appeal of wrestling – and why it’s narratives are so complex – by parodying two decades of the career of pro-wrestler HHH. I’m not the greatest fan of Landis – Chronicle bored the pants of me – but he gets this one thousand percent right. Wrestling fans should watch it for the parody elements. Non-wrestling fans should watch it ’cause it says something powerful about character, evolution, and story.

Writing Advice - Craft & Process

Jim Butcher on Scenes and Sequels

So I’ve been doing this writing thing for a while now. Eighteen years, more or less, once you factor in the time spent working on poetry, scripts, gaming stuff, an unfinished thesis, and stories as a collective whole. I still go out and learn to do stuff. And I still read stuff where I am thoroughly fucking schooled and have the way I think about writing turned on its head. Case in point: this one-two combination from 2006 or so where Jim Butcher talks about Scenes (which is stuff I know) and Sequels to Scenes (which blew my writer-brain in no uncertain terms). The sequel stuff feels like someone just sat down and wrote a short essay that basically says, “hey, you, short story writer, this is why you struggle with novels.” Go forth and read it.  

Smart Advice from Smart People

Your Audience: Building versus Earning

2013 was a hell of a year. I did a lot of stuff. A lot of that stuff was huge: I ran GenreCon; I produced eight or nine full-day workshops over the course of the year; I went to so many cons that I could spend 2014 sleeping and still not pay back my sleep debt; I went to motherfucking Vienna and rode the Wiener Riesenrad, which is one of the few tourist attractions anywhere in the world that holds some appeal to me (largely thanks to its prominence in The Third Man and Before Sunrise). I discovered that riding the Wiener Riesenrad is a fucking terrible idea if you’re afraid of heights. One of the smartest things I heard last year came via Chuck Wendig, who did an interview at the Get Read online conference where he talked about author platform and maintaining a career as a writer. I meant to post about it back then, when I first heard it,

Writing Advice - Craft & Process

Why King’s “On Writing” Can be Dangerous to New Writers

So my boss caught up on the Novella Dairy yesterday and commented on the fact that I was crapping on Stephen King in my post asking for feedback about the future of the project. “I crapped on Stephen King?” I said. “I don’t remember doing that.” “Sure you do,” she said. “You basically quote him and then talk about all the ways he’s wrong. You’re all It’s all very well for Stephen King to write about sitting in the chair until he hits 2K a day, but some of us have day jobs…” I’ll admit, at this point, that my record of this conversation probably isn’t 100% accurate, but it captures the gist. It refers back to an ongoing conversation we’ve had at work, where I’ve brought up the fact that I think On Writing has the potential to be a dangerous resource for some new writers and it bothers me that it’s so…omnipresent, I guess, as a source of advice.

Writing Advice - Craft & Process

EVERYTHING I KNOW ABOUT PLOT IN 1,069 WORDS OR LESS

Crank up the organ grinder and gather around the popcorn, ’cause we’re almost at the end of the dancing monkey series. For our second-last entry, John Farrell asked: I have awful problems constructing a plot. How do you do that? Apparently you folks don’t want to go with the easy questions, huh? This is not a topic where I’m known to be *concise*, so I’m going to set myself a word-budget on this one and send you off into the wide world with some reading homework, ’cause really, plot is big. Here we go: EVERYTHING I KNOW ABOUT PLOT IN 1,069 WORDS OR LESS 1. PROTAGONIST, ANTAGONIST – FIGHT! Most plots hang off a pretty simple dynamic designed drive a story forward. It goes something like this: your protagonist wants something really badly; your antagonist denies your protagonist the thing they really want; delicious, awesome conflict ensues. Take Lord of the Rings as an example – Frodo wants to live

Writing Advice - Craft & Process

Great Writing Advice Learned from Pro-Wrestling, Part Two

The second thing that can’t be learned about writing by listening to Al Snow rant: People don’t have a physical relationship with pro-wrestling. This is fricking brilliant, and it’s something every SF writer should memorize immediately. If you look at most forms of athletic competition there’s usually a correlation between the most popular sports and the sports we play as kids. Every Australian male kicks a football around, for example, and gets forced to play cricket as part of their school curriculum. We’re forced to run, at the very least, at school sports days. Depending on your school, you may be forced to swim. When we watch people competing at a professional level, we have muscle memory and experience that tells us how hard these things are and allows us to appreciate the achievements of professional athletes. We know just how good they are, because we know our own limits. Professional wrestling doesn’t have that. How many of us can legitimately claim to