The Sunday Circle: What Are You Working On This Week?

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The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them).

After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all.

Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here).

MY CHECK-IN

What am I working on this week?

Splitting my time between a pair of story drafts. One is the Martian underworld boxing story I mentioned last week, which is rolling into novelette length quite nicely, while the other is an urban fantasy heist story that’s also proving to be less short than expected. May have to look at shelving one, so I can focus on something a little more finishable this week.

What’s inspiring me this week?

I caught The Great Wall at the cinemas last week, and while it’s a narrative that’s got a whole mess of problematic elements, it’s also absolutely freakin’ gorgeous in terms of its visuals and fight choreography. So many movies are done with the orange and teal colour scheme these days, particularly action movies that rely on digital effects, that just seeing a movie soaked in colour is so visually different that you realise how much you’ve missed.

In narrative terms, it’s the big, dumb action movie I was hoping Cowboys vs. Aliens would be a few years back, and it quietly gets me thinking about the big dumb action stories I’ve got sitting in my to-do pile.

What part of my project an I avoiding?

Still the dense, heavy French literary theory works that require an incredible amount of research and thinking to get through. I’ve made some progress, but etting through he first paragraph of a Bourdeiu essay required a half-page of notes on the various philosophies and theories mentioned, just so I could make sense of it. It’s slow, mentally taxing work that I keep looking for ways to put off.

PeterMBall

PeterMBall

Peter M. Ball is a speculative fiction writer, small press publisher, and writing mentor from Brisbane, Austraila. He publishes his own work through Eclectic Projects and works as the brain in charge at Brain Jar Press.
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