The Sunday Circle: What Are You Working On This Week?

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The Sunday Circle is the weekly check-in where I ask the creative-types who follow this blog to weigh in about their goals, inspirations, and challenges for the coming week. The logic behind it can be found here. Want to be involved? It’s easy – just answer three questions in the comments or on your own blog (with a link in the comments here, so that everyone can find them).

After that, throw some thoughts around about other people’s projects, ask questions if you’re so inclined. Be supportive above all.

Then show up again next Sunday when the circle updates next, letting us know how you did on your weekly project and what you’ve got coming down the pipe in the coming week (if you’d like to part of the circle, without subscribing to the rest of the blog, you can sign-up for reminders via email here).

MY CHECK-IN

What am I working on this week?

Still working on Project Bee-man this week. I’ve been stuck on a particular scene for a few days, unable to get past it, which is usually a sign that there’s a problem earlier in the draft that makes the current action unbelievable or narratively weak. The fact that I’ve let it bog me down, to the point that my brain is starting to noddle around on other projects and focus on admin-stuff, is probably a sign that ploughing on through has probably stopped being the best approach and it’s time to start looking at the previous scenes to figure out what needs to change.

What’s inspiring me this week?

My major narrative consumption this week has been The Defenders, which is a somewhat welcome return to form after the disappointment that was Iron Fist. It’s fascinating to look at this through the lens of series, as it’s the pay-off for all sorts of things that have been set up in prior Netflix series for half the characters. To see them take things that have been central to Iron Fist and Daredevil, then weave them into the storylines of Jessica Jones and Luke Cage which tend to be more self-contained and stand-alone, is the kind of narrative challenge that very few writers are ever going to face outside of comics-style, shared-world narratives.

I’m also impressed with the cinematography. One of the strengths of the Netflix series has always been their look and the colour schemes, and that doesn’t go away now that they’re an ensemble. Scenes focused on a particular character share the visual motifs of their original series, and when they start interacting the colour palates are blended in interesting ways. It’s a nice consideration that impacts on the way we read the story without being overt.

What action do I really need to take?

I’ve outlined one in my weekly plan, but that’s kinda secondary this week. What absolutely needs to start happening is putting some focus on refilling the well again, as most of my media consumption this week has been He-Man cartoons and old pro-wrestling episodes. I’ll be sitting down today and outlining some overt consumption goals, identifying a handful of books/shows/movies to consume over the coming week.

PeterMBall

PeterMBall

Peter M. Ball is a speculative fiction writer, small press publisher, and writing mentor from Brisbane, Austraila. He publishes his own work through Eclectic Projects and works as the brain in charge at Brain Jar Press.
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